In other words, I wonder if the structure, language, composition etc in a novel might "open up" the reader's brain in a similar way that e.g. musical works by Bach or Philip Glass seem to get some coders "in the zone".
Also, I'm going to list these from 1 to 2, but the first is an order of magnitude better then the second, so think of them on an inverse log scale.
1. David Foster Wallace's short story "The Awakening of My Interest in Annular Systems". DFW is a brilliant writer in general, but his writings on math and logic have always been so unique and powerful to me. This one is my favorite. There's this combination of melancholy, and mathematical precision that was one of the first times I started to think about the beauty of analysis, and in particular, abstracting n-dimensional geometric space.
2. Peter Watt's novel "Blindsight". Blindsight has a very different mathematical feel to it, compared to DFW's stories. It's almost the opposite. Very sloppy (stylistically, not in terms of accuracy), filled with jargon, and always slightly outside the limits of my comprehension, (actually a lot of times just plain outside the limits of my comprehension). But that layer of overwhelming, rapid-fire technical description ends up creating this very interesting, frenetic, cyberpunk/dystopian aesthetic, as the plot builds momentum.
Honorable Mentions/Other stuff:
- Watt's "Echopraxia" (sequel to Blindsight)
- Neal Stephenson's "Anathem"
- Arthur C. Clarke "Rendesvous with Rama"
- Greg Egan's "Permutation city" and "Diaspora"
Art/Architecture:
- Philip Beesley's Hylozoic Soil installations (my advisor in uni!)
- All of Junya Ishigami's installations/architecture.
- All of Rafael Moneo's buildings & writings.
I have occasionally wondered about writing a programming language optimised for spoken word; not just the basics of trying to avoid sigils and punctuation, and of course significant whitespace, but also trying to make it possible to write code that has "metre" and rhyme to it.
- The Machine Stops, E.M. Forster
- Erewhon, Samuel Butler
- The Alchemist, Paulo Coelho
The styles and formats are completely different. The only common thing I can think of is that there's this invisible guiding force in all of them, whether it's good or bad. The Machine Stops is a dystopia about technology in absence of a soulful humanity. Erewhon is wild. Truly wild. It has to be a genre all its own, something akin to Darwinian technopunk. The Alchemist is probably one of those novels you could riff on with a yoga instructor and have a good conversation :joy:. It's classical magical surrealism, but it's a good story about a person's lifetime journey. Nothing deep, but it's wholesome.
Edit: also will add A Canticle for Leibowitz by Walter Miller Jr., and Titus Groan by Mervyn Peake.
There's a cool programming project already based on this short story that I've enjoyed exploring: see https://libraryofbabel.info/
And looks like there's a link to the story on archive.org: https://archive.org/details/TheLibraryOfBabel/